I write about the people culture treats as expendable, and what it costs us not to look.

I'm a writer, cultural critic, and multidisciplinary artist based in London.

I'm now pursuing an MSc in Psychology of the Arts, Neuroaesthetics & Creativity at Goldsmiths, University of London, applying psychological and aesthetic frameworks to the work I was already doing anyway. Goldsmiths is where the intellectual architecture for that mission gets built.

My work spans personal essay, prose poetry, painting, and performance, unified by a single obsession: what happens to people when culture stops letting them say what they know. I write about women and frontline workers — the people whose bodies and wellbeing culture routinely treats as expendable. My goal is to make the invisible costs of that expendability visible, emotionally resonant, and impossible to ignore.

In March 2026, I spent three weeks in residence at Château d'Orqueveaux in France — a working retreat with a small community of artists that has stayed with me since, and out of which I've since founded a writers circle of my own.

I believe discernment is the radical act. That exactitude is not truth. That an orange can be painted blue.

I'm here to talk about big ideas. Come find me.